The Canine Landscape
Barley, a dog, rests on a throw pillow. She is photographed from a low angle, near her rump, as if she was a rolling landscape extending into the distance. Something fun about photography is it forces us to think about how weird things look from a point of view, without the sanity check of getting to live in 3D. IT’s the most obvious thing in the world that, if you get up real close to an object, the part you’re close to will be much larger on your retina than the parts even a little further away. But when you’re doing this in 3D space with a physical object, visual cortex automatically reframes your visual experience as a space with depth and perspective. In a photograph, you can’t slide your head a bit to the side to adjust your view: You’re stuck with the camera’s point of view. It’s really only in reflection that I get to imagine this photo of Barley not as a closeup I snapped on a whim, but of a dog as a mountain range extending toward the horizon, the gentle wend and weft of her fur becoming the tall grass that a traveller will have to push through to reach the distant cliffs of her floppy ears and the gentle peak of her brow.
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